Sleepyhead by Dric
(via hicockalorum)
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Fun Times at Funmont HighI’m sure many of you have seen this already, but The Reward is a short film from Denmark directed by Mikkel Mainz and Kenneth Ladekjaer. And it’s brilliant! Do watch.
yay now i’m crying
oh my god.
Dee: Well, my site isn’t about being a chick. I don’t talk about chick shit. You know? I am a lady and I have lady friends and we do lady shit, but that’s not all I have going for me. I’m not sitting here thinking about my period all the fucking time. I’m not Cathy.
If anyone ever tells you there’s not sexism in comics, they’re lying to you. Because that’s the only place I’ve ever experienced sexism in my entire life. [On Wikipedia] they put me as a footnote in Married to the Sea. I’m not “notable.” I don’t care, I don’t make money off a Wikipedia page. But it just really illustrated to me how people feel about it. I think it’s kind of played into stuff I’m doing on the side, because I’m doing my blog about cosmetics and stuff. And people initially—if they think about it—they’re like, “Why would you do that? That’s just dumb chick stuff.” But I wanted to have something where it was a woman writing about women’s interests and not making it stupid. Because you have a choice when you’re a lady: you can either be smart and homely, or you can take care of yourself and be fancy and dumb. That’s the choice. But that whole thing lit a fire under my ass and—as I get older—I just get fancier and fancier. Because I’m like, You know what? If it bothers them, I want them to fuckin’ know a girl brought it. If you think I can’t do it, I’m going to make sure you know I did it. I’m not going to go up in some fucking corduroys and some kind of fucking homely, mousy haircut because it’s not threatening or whatever. If it’s going to be an issue, I’m going to make sure you know that I’m a bad bitch. Too bad.
http://therumpus.net/2013/01/the-rumpus-interview-with-natalie-dee/
Rumpus: In terms of cartoonists, do you feel like women are still in the minority? You’re a really prominent cartoonist, but the field seems kind of dominated by guys, right?
Dee: I will tell you a story, Jory, and you are going to hate it.
Rumpus: Oh really?
Dee: Are you ready for it?
Rumpus: I’m ready.
Dee: Okay. Here’s my story with comics: I was raised by a single mother, and so I never had any ideas in my head about stuff that women could or couldn’t do. Like, if women can’t do something, that means that it’s not gonna get done and they’re fucked, right? If you can’t do it yourself, you’re fucked. I could do anything. There’s nothing I couldn’t do, and I dare anybody to tell me I can’t do it.
So, when I was younger, there was a comic book store in the city that I lived in. And my friend’s parents owned the comic book store. Her mom was always the one at the comic book store. I would go and hang out with her mom. I just loved her, I thought she was great. I would go down there all the time after school. It was a small town and no one cared about indie comics, but she would always get stuff for me, because she knew that I liked it. And so I was always on top of all the comics, which was great. It was my jam. And I was able to get what I wanted instead of having to read kiddie superhero shit. And so that was my exposure to comics. It wasn’t threatening, because it was just me and my friend’s mom. And we would sit there and talk about comics. And she would order stuff and say, “I thought you’d like this.” And I’d get it and bring it home and read it. And I’d come back and she’d find something else that she thought I would like.
So then I moved from Marion to Columbus, and I was still into comics. There’s a lot more comic book stores here, but it wasn’t women who were working at the comic book stores. It didn’t even occur to me that I’d go to a comic book store and just feel gross, but you could feel people staring at you. It’s sick. This was in the late ’90s/early 2000s. I could feel people staring at me. I’d go through the door and a door chime would ring when you’d walk in, and you could almost hear everyone’s whiplash. “Oh, there’s a chick in the comic book store!” And after a few times, it just made me feel so gross that I stopped. I just didn’t do it. I was tired of guys looking over my shoulder and seeing what I was getting. “You’re getting what I’m getting!” Or being judgmental about what I was getting. So I stopped going to the comic book store. I’d do other stuff. You know, I’d order stuff online if I wanted to read comics.
Rumpus: Wow.
Dee: I started doing my own stuff, and it wasn’t comics necessarily. I was drawing pictures. And it was like cutesy stuff, when I first started out, it was real cutesy stuff. It was one-shot, one-panel comics. Right? And it kind of evolved into something where it resembled comics.
So, I had a Wikipedia page. Toothpaste For Dinner had a Wikipedia page. Married to the Sea had a Wikipedia page. Drew’s defunct industrial act had a page…and my Wikipedia page got deleted because I wasn’t notable. They put me as a footnote on the Married to the Sea Wikipedia page, even though I was getting more traffic than any of those sites. And nobody ever said anything, no one ever mentioned me. At the height of my site—I was probably one of the top five [web cartoonists online] in terms of traffic—and no one would even acknowledge that I was there.
Rumpus: That’s insane.
Dee: And I don’t care, really. You know what I’m saying? I’m making a living. I have a house. I’m doing my thing. I know I don’t need other people’s approval. But it is definitely a bro scene. They definitely don’t want chicks coming to the party. If you’ve read other interviews with me, I’ve mentioned it before. It is definitely a clubhouse and they’re all in there talking about which Legend of Zelda cartoon they’re going to draw tomorrow. You know the bullshit those dudes do, right? “I made a comic about a video game with Chewbacca in it!” You didn’t fucking make Chewbacca! Quit drawing Star Wars comics! Anyway, they’re like, “No girls.” Periodically there will come a girl who’s doing webcomics, but either she can’t hang, she gets overwhelmed and she can’t update regularly, or she immediately gets into this tokenism, where she goes and tries to rub elbows with these dudes and they just tokenize her. They’re like, “Here’s the girl webcomic.” It’s embarrassing. I don’t want any part of it.
http://therumpus.net/2013/01/the-rumpus-interview-with-natalie-dee/
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| d: | shmsmtsh [unintelligible]... just look up sherman he's hard as fuck. |
| a: | who? |
| d: | sherman. |
| a: | ...ok. |
| d: | hmmh. |
| a: | good night. |